One of our country's most acclaimed and beloved entertainers, Steve Martin is quickly becoming recognized as a "gorgeous writer capable of being at once melancholy and tart, achingly innocent and astonishingly ironic" (Elle). Beautifully written, this novella reveals a different side of Martin, one that is unexpectedly perceptive about relationships and life and profoundly wise when it comes to the inner workings of the human heart.
Mirabelle is the "shopgirl" of the title, a young woman, beautiful in a wallflowerish kind of way, who works behind the glove counter at Neiman Marcus "selling things that nobody buys anymore..."
Slightly lost, slightly off-kilter, very shy, Mirabelle charms because of all that she is not: not glamorous, not aggressive, not self-aggrandizing. Still, there is something about her that is irresistible.
Mirabelle captures the attention of Ray Porter, a wealthy businessman almost twice her age. As they tentatively embark on a relationship, they both struggle to decipher the language of love -- with consequences that are both comic and heart-breaking. Filled with the kind of witty, discerning observations that have brought Steve Martin critical success, Shopgirl is a work of disarming tenderness.
I think the last sentence of the synopsis provided by the publisher is the perfect place to look when discussing this book: "Filled with the kind of witty, discerning observations that have brought Steve Martin critical success, Shopgirl is a work of disarming tenderness."
I agree with the first part of the sentence, but disagree with the second. When I shared my thoughts on Steve Martin's Pure Drivel I said that he was my writing role model. It is the intelligence with which he writes that amazes me and sets the bar (very high) to a level at which I wish to write someday. That intelligence comes through to create those witty and discerning observations.
While I liked Shopgirl, the piece that I thought was missing was feeling. Sure there was emotion written into the characters, but it seemed superficial. I could not feel for the characters because I did not believe they had feelings either. I still would like to stroke the intellectual part of your brain like Steve Martin, but I will have to bring my own passion to my characters.
Shopgirl is short, it's a quick read. It is more beach reading than intellectual stimulation. It was good, but not great.
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